A Visit to the Old Manse ~ Concord MA

The Day I Became an American

The definition of what it meant to be an American was a point of confusion as I was growing up. As a nation of immigrants, the majority of us can trace ancestry to a distant shore. The Native Americans may have a wholly different understanding of immigration with the disastrous outcome for an entire race of people. Newly arrived immigrants come here for the hope of a better life while coming to terms with what has been left behind. Truly, some may spend the remainder of their lives with a foot in both worlds. Immigrants as well as second, third and fourth generation Americans often apply a label to their identity in order to establish roots of ancestry. This is an important factor in socialization. Having been raised in a 2nd generation home, I can identify by association of place to being an American confused along with a thread of connection to the founding ancestry.

This article is about awakening and grounding into what it means to understand I am an American. Everything changed the day I read Nathanial Hawthorne’s Introduction to “Mosses from an Old Manse”, “The Author Makes the Reader Acquainted with His Abode”. A Collection of Short Stories published in 1846. It might have been the first time words on paper made such an impression. He spoke directly me in a prose of such beauty and depth that I melted into it. His presence come up off the page and spoke as if to me. He took me literally into his heart, home and to that place, our most sacred ground, where I became a full-blooded American.

Identity Obscured

I was born in the United States and have not moved too far from my home base of Massachusetts (MA). I am a 2nd generation American whose ancestors left Eastern Europe at the turn of the last century. My grandparents came here born out of a desire for adventure and change. Tired of living in a country that often times felt the boot of invaders trampling on to glory, they came to America for a better life.

I am from Worcester, MA. A place named for the sister city of Worcester, England and a Commonwealth named for the tribe that once lived here. We are descendant of British settlers landing at Plymouth in 1620. We keep the name of the original inhabitants alive. Really, it is difficult to not notice the pairing of English and Native American names side by side. In my area alone we have Quaboag, Podunk, Tantasqua, Wickaboag, Nipmuc, Hammonasset, Quinsigamond, etc… A foot in two worlds. Worcester was a manufacturing city and is notable for the inventiveness of Robert Goddard, anti-establishment rhetoric of Abby Hoffman and the Houdini of the Hardwood, Boston Celtic player Bob Cousy. I lived in a house with a small yard surrounded by smoking traffic, three decker’s and bustling immigrants. Worcester is known to be a gateway city. If there are people on the move, they may come here.

Worcester is a city of seven hills. The neighborhood I came from is referred to as Vernon Hill. In its day, the area was notable for its Americans descended from Polish and Lithuania immigrants. The foundation of the community is the Lady of Czestochowa Catholic Church. The imagery of Mary is strikingly different from the anglicized version. There are many legends associated with this portrait. She is a woman of beauty, youth, wealth and power. There is nothing passive about her. She would not be burned or lost to nonbelievers. A hint to the reader of how strong the identity to the motherland still is can be conveyed simply. In attendance at a funeral in this old church in 2013, in the vestry hangs a picture of Pope John Paul II. He died in 2005. He has been replaced by two (2) popes. Yet, this church still honors his ancestry and identifies with him through it. This is how strong the confusion can be to place of identity. The faith is based in a foreign church, not the American Catholic Church, but that of Poland.

The local markets cater to ethnic tastes. Worcester boasts several authentic markets well worth shopping in for Vietnamese, India, Mediterranean and Italian goods. The identity with where the ancestors came from is strong. I had early learning in Polish language and can still read a little. Apparently, I still speak with a slight accent as two people I recently met from Russia asked, where was I from? Rather than, you are an American. I was tied to Poland by my relatives, neighborhood, church and people around me. We all lived in this confusing place where identity to the old country came first often.

The Old Manse ~ The Author Makes the Reader Acquainted with His Abode

This may sound odd, but I did not realize I was an American first until my mid-thirties. I became fascinated with the writer, Nathaniel Hawthorne (1804 – 1864) formerly of Salem MA. He is a notable classic short story writer from the Transcendental Period (1820-1830) in American literature and famous for many writings including “House of Seven Gables”, “Rappuccini’s Daughter” and “The Scarlett Letter”. Based on reading his, “The Author Makes the Reader Acquainted with His Abode,” and particularly this

“The glimmering shadows, that lay half-asleep between the door of the house and the public highway, were a kind of spiritual medium, seen through which, the edifice had not quite the aspect of belonging to this material world.”

I have never recovered from this sentence. He is describing the space between the street and front door of the old house. One does not simply walk to the front door, one passes through the veil between the worlds along the way. Hawthorne had a genius with lyrical prose. As a writer, he had a sensual, enveloping style of storytelling that wrapped the reader into his world and that of his characters.

He is my knight. And, I paid my respects. I visited the Old Manse in Concord MA within only a few days of reading this text. The beginnings of the War of Independence are visible from the backyard. There I was standing on the bridge and reading the plaque stating the significance of what happened here so many years ago. Standing on the battlefield, it seems outrageous that folks could have formed the notion of living without foreign rule and acted on it. The rebellion does seem to have been an extraordinary occurrence in the history of civilization. The fact that it succeeded is even more astonishing. There is a spirit about Concord that I found enlivening. The energy of independence is in the air. Here I realized I was a citizen of this nation and proud of it.

My parents and the community passed on a strange awareness of being here but from somewhere else. Because I was surrounded by other people who thought the same, I didn’t understand that I was leading a confusing existence until Concord. I lacked a personal connection with America as an American until that moment. Odd too, that I loved the Red Sox and spent many a happy hour at Fenway Park. I love the Boston Pops and have attended the July 4th celebration on the Charles River in Boston. Yet, I was confused by my allegiance. The sense of release from past prejudice has been a blessing.

Here is the description of the battlefield from Hawthorne, it lays only feet away from the Old Manse.

“Come; we have pursued a somewhat devious track, in our walk to the battle-ground. Here we are, at the point where the river was crossed by the old bridge, the possession of which was the immediate object of the contest. On the hither side, grow two or three elms, throwing a wide circumference of shade, but which must have been planted at some period within the threescore years and ten, that have passed since the battle-day. On the farther shore, overhung by a clump of elder-bushes, we discern the stone abutment of the bridge. Looking down into the river, I once discovered some heavy fragments of the timbers, all green with half-a-century’s growth of water-moss; for, during that length of time, the tramp of horses and human footsteps have ceased, along this ancient highway. The stream has here about the breadth of twenty strokes of a swimmer’s arm; a space not too wide, when the bullets were whistling across. Old people, who dwell hereabouts, will point out the very spots, on the western bank, where our countrymen fell down and died; and, on this side of the river, an obelisk of granite has grown up from the soil that was fertilized with British blood. The monument, not more than twenty feet in height, is such as it befitted the inhabitants of a village to erect, in illustration of a matter of local interest, rather than what was suitable to commemorate an epoch of national history. Still, by the fathers of the village this famous deed was done; and their descendants might rightfully claim the privilege of building a memorial.

A humbler token of the fight, yet a more interesting one than the granite obelisk, may be seen close under the stonewall, which separates the battle-ground from the precincts of the parsonage. It is the grave–marked by a small, moss-grown fragment of stone at the head, and another at the foot–the grave of two British soldiers, who were slain in the skirmish, and have ever since slept peacefully where Zechariah Brown and Thomas Davis buried them. Soon was their warfare ended;–a weary night-march from Boston–a rattling volley of musketry across the river;–and then these many years of rest! In the long procession of slain invaders, who passed into eternity from the battle-fields of the Revolution, these two nameless soldiers led the way.”

These are my stories of old. I am of this heritage and while I may carry remnants of the old world in my name and manner, I honor that past, but prefer to live in this present at home. In this, the only home I’ve ever known.

IL Volo in Concert: Boston MA 2013

While this review is dated, it was the second live performance of IL Volo I have attended. This a character study rather than a musical review. These are my own impressions of Piero Barone, Ignazio Boschetto and Gianluca Ginoble.

Location: Bank of America Pavilion, Boston, Massachusetts

Date: September 14, 2013

Almost a year ago to the week, I attended my first IL Volo concert at this very location. It was a leap of faith that brought me to the first concert and based on remembrance, I can say without doubt that IL Volo (IV) made an artistic leap in presentation and song for 2013. Barone, Boschetto and Ginoble were wonderful in every way. The Boston audience was delighted with two full hours of non-stop exciting entertainment. IV twirled and sang up a spell of enchantment under a bright, crisp waxing harvest moon.

The Italians have a phrase and sense of living called Bella Figura. La Bella Figura as defined in EyeItalia: “Bella figura goes well beyond image, visual beauty and presentation…it also is defined by behavior: knowing how to properly and graciously interact with others in any social or public situation. Exhibiting good manners, tact and gentility is an essential component of “cutting a beautiful figure”.

I came to understand the visual meaning of this phrase during this concert. From head to toe, the cut of the hair, the drape of the fabric, sheen to the shoes, the physique and aura of class was present in each artist. The opening number, “Quest’Amore“, with the soothing, stirring strings of violins ushered in the silhouetted images of the guys. As each artist was projected onto the screen, the excitement began to build until the beautiful moment they walked towards us on stage singing with strength and confidence.

Barone was magnificent in voice, so graceful, powerful and clear. In live performance, his rich tenor can be overwhelming and conveys not only a beautiful sound but a virtual aura that can surround the senses. I truly think if he keeps on developing his art, he will have one of the finest voices of his generation. He has a tremble, con voce tremante or delicate weep at times in his voice. As his eyes hold that naturally down turned tilt conveying a bit of sadness within, so does his voice in song, all at once it is hope, sorrow and joy.  I watched him extend such courtesy to fans and was surprised at his genuine attempts at inclusiveness. He came off the stage towards my section of the audience to find his Maria. He tried to select a little girl from deep in the row of fans but was thwarted by the crowd. With grace he kept the show moving forward with a quick flexible timing. Towards the end of the show, I was so overwhelmed by the experience that I went to the very edge of the stage as IL Volo were shaking hands with fans. I threw aside my normal bashful ways and went right up to Barone and smiled, extending my hand. He paused, looked down and reached down a cool hand to greet me.

Ginoble was debonair incarnate. Frank Sinatra was popular before my time but I have memories of his success as a singer and actor. Ginoble’s  rendition of “Night and Day” was smooth, relaxing and sexy. I love that way he puts his whole body into the notes. He sat on the stool and crooned to us. He just has such style and presence. My hope is that given his age and beauty, he will continue to explore and popularize a more sophisticated manner for young male artists. In stance alone, he manages to convey what the French call: C’est si bon. Or, better in Italian: Molto elegante. At the end of the show, I stayed close to the edge of the stage after shaking hands with Barone, I was as close as I could be when the guys sang a cappella a portion of “Smile”, the look of satisfaction on his face, the light smile, and the look of love to the audience just radiated out. He was well pleased with the show.

True confessions, until Saturday night, I did not appreciate Boschetto. Perhaps the show last year caught him at the wrong moment for me as a fan. I saw a teenager, uncomfortable at times and out of sync. Tonight, he was fantastic. I loved his funny bone, his flirtatious, loving manner with the guys and of course all of us. During the song, “Granada”, Boschetto pantomimed winding up Barone as if he were a watch or toy, letting go of the key the moment Barone finds his long musical note in the song. He also revealed his savviness and intelligence as a performer. He knows how to make us all feel welcome. Beyond that, his skill as an artist was remarkable. He hit all the notes, held them long, and sang from deep in the body. I was able to film him singing “Memory” and continue to enjoy this personal memory of his gift. Unfortunately, he did not come to the side of the stage and I was not able to shake hands or share my joy at discovering him as a man and artist. I more than admire his growth as an artist and look forward to following his career.

There were several moments of musical brilliance on stage. During the song “Surrender” on the “We Are Love: Special Edition” CD, Barone hits an exciting high note. In performance, at this very moment, the three twirled closer together on stage and hit their highest note all at the same time. The notes were held for several seconds. The harmonics were pure IL Volo. The closest approximation I can relay is the sound made when a large crystal bowl is played. The tone and vibration carry outward and through the entire body. They are so compelling as people, joyful and sincere.

For the Boston audience, there was a moment of courage and support in recognition of the Marathon Bombing that had taken place in April of 2013. Barone started talking to us about Boston Strong and remembering what happened. IV sang the National Anthem to recognize the fallen and go forward empowered to face the worst of fears.

Meeting the fans who come from far and wide to attend the show is a part of the experience. In line waiting for the gates to open, I met a couple from Austin, Texas who had decided to take a vacation in Boston as well as attend the performance staying after the show for the Meet and Greet. They came so far and this was the highlight of the trip. I wish every fan could attend a live performance. The guys stand in front of the audience and look out at each person, look around slowly and take their time to catch your eye. As they gaze at you with a smile from the heart, so do you reply in the same way. At the moment the eyes meet, the connection is formed. They are on stage, but could easily walk off stage and be by your side. Somehow, they invite every heart be a part of it all. The theme of the tour is perfect: We Are Love. The secret of IL Volo  is their message of love; as it is something to be given, it is something to be accepted and returned.

Il Volo in Concert ~ Boston September 2012

While this review is dated, it was the first live performance of Il Volo  attended. The reaction is more of a character study than a musical review. These are my own first impressions of Piero, Ignazio and Gianluca.

Location: Bank of America Pavilion, Boston, Massachusetts

Date: 8 September 2012

Venue – The performance was at the Bank of America Pavilion on the waterfront Boston Harbor. The venue offers a view to a wide variety of boats and vessels sailing by. This could be fun; however, Logan International Airport is directly across the bay. And yes, outbound planes generally depart on the ½ hour at times roaring directly over the roof. The pavilion is a large tent structurally reinforced with moveable side curtains. There are seats outside of the tent and this arrangement gave the attendee an indoor/outdoor experience depending upon ticket selection. There is a good selection of foods and beverages including beer and wine with outdoor dining areas to enjoy the evening sea breeze. The attendee has a choice of driving into Boston or taking public transportation (MBTA). I choose to park at the T station at Riverside in Newton which is about 10 miles from the destination and took the Green line inbound. This proved to be a tricky journey as I had to transfer to the red line, continue to South Station, and eventually board a bus to arrive at the harbor.

I have to say that people watching can account for half the evening entertainment. I like to eavesdrop and tune in to the ambience. My seat was in the center section facing the stage in Row Y with an excellent view. This was my first time at the pavilion and we speculated that the side curtains would be lowered when the show started to create a more intimate atmosphere. Unfortunately, that did not happen and folks sitting along the edges were caught up in a wicked rain and wind storm that blew in half way through the show. I knew the storm was predicted and altered my travel plans. I live near Sturbridge which can be a two hour drive away and left at 2 p.m. amidst tornado watches, thunderstorm warnings and a dark stormy sky. I realized the risk but was prepared to make the best of it. The storm had power and I felt some of the rain drops in the middle of the room. Rain water came pouring down the left side walkway between the seating rows leading to the stage. Pity the sorry souls on the perimeter. The ticket clearly says Rain or Shine. This commotion was distracting to say the least. There must be a reason pavilion staff opted not to drop the side curtains. At one point in the show, Il Volo (IV) stopped and we were all looking around as to what to do. The artists and patrons need to be comfortable and we were not. Gianluca deftly started crooning, “I’m Singin’ in the Rain”.

The return trip home proved to be a bit of a nightmare. While the storm rocked us around at the harbor, it also tore down several trees onto the subway tracks. When the train went above ground, it ended up stopping part way to my destination. All the passengers were rerouted onto buses. It was a crazy, crazy ride home mixed up with Red Sox Fans from the game that was completed that night. Most of us were out-of-towners and at the mercy of our companions on the train for how to maneuver onto the right bus to end up where we wanted to be. It did take more than a few hours to get home.

If the management team needs a different venue for the next tour through Massachusetts, consider the Hanover Theater or Mechanics Hall in Worcester, MA.

Performance

I had only heard of IV in June when WGBH TV aired the PBS Detroit Opera House performance. I tuned into the program about midway through and had no idea who the artists were. A quick glance told me it might be three Italian tenors but something was different. I kept listening and it so happened that IV was in the Boston PBS Station Studio during the fund raiser call in portion of the show. Their English skill was basic and Piero took the lead in talking to Lo Hartnett, the host on the set. Lo obviously enjoyed their company and smoothed the communications helping the guys relax and speak with confidence. It was toward the end of the fundraising portion when I realized Piero was a ham. When he sorted out that the camera was on, he cheerfully puffed up and waved vigorously at the audience saying, Di Camera, Di Camera!

After some deliberation, I bought a ticket and planned out the trip. As I am a bit claustrophobic and somewhat averse to crowds, it was a complete leap of faith to go. While we were waiting for the show to start, somebody parted the curtain at the back of the stage but all I could see was a black outline of the doorway. Somebody was looking out so I waved.  The guys were warmly welcomed by a mature audience and started the show with “Un’Amore Cosi Grande”.  Everyone I met in the audience had seen the PBS program and, collectively, the spirit was we had to see this to believe it. Piero, Gianluca and Ignazio were as strong in voice in person as on the telly. The blend of energies, voices and charisma was sparkling. Unfortunately, the band too often overpowered the voices and if I may say, as good as they were, ought not to compete with the artists. I thought a band is supposed to enhance not interfere.  There were times the show felt brisk as if they had to keep on a tight schedule. The guys clearly loved the spotlight and responded with their personal best.

The general impression was they do not compete with each other. And, there was no leader. Individually the confidence was matter of fact.

Still, the sexy male energy was not missed at least by me. How tight can your pants get! Italians superficially are generally revered for fashion, food and art. IV already have style and presence. These are young Italian men traveling about, it takes a bit of moxie to do this.

The horsing around on stage was at times confusing. Piero reminded me from the start of Toppo Gigio, a puppet character from the Ed Sullivan Show. When IV introduced themselves to the crowd, Gian and Ignazio called to Piero who had disappeared under the staging. When they called him to come out, he said, Ohh noooo Izza scared! In the same voice I remembered from the puppet. During the show he was constantly moving around humming, smiling, talking, looking and generally having a cheery good time all by himself. He often would float back to the band members and air play alongside. He loves the music. Piero and Ignazio interacted often with Gianluca resting and a few times sitting down watching them bop each other around. At one point when Piero was messing around with Ignazio’s wardrobe, he called out to GG to join him just like a kid in the schoolyard would. Come on! GG shook his head and rested on the sideline. It was in these moments I remembered they are still teenagers and this is what guys do at home. Bop each other around.

Musically, every review is similar, brilliant, time of my life, have to see this again. How on earth do they sustain that level of performance show after show! Gianluca was impressive. He is slight in stature, photogenic and rarely smiled. He opened the show and it was very exciting to see Piero and Ignazio in shadow waiting for their turn to sing. It struck me at that moment how young he was and how gutsy it is to stand out there in front of a large crowd and sing the first note. He is quite an unusual young man.

Ignazio came across as Mr. Congeniality. He felt like a person in transition. Someone described him to me as a young man in a grown man’s body. He fussed with his ear piece often pulling at his hair.

Piero struck me as a whole different kind of cat. He was lean, sleek and a frisky faun with a lot of charisma. The star quality of “look at me” is strong. What a voice!! Unfortunately, he sang his second solo in the middle of the rain torrent and I got distracted by wondering if the roof will stay on as he sang the old theme song from “Love Story”. I have to hear this again. At the end of the show, Piero’s expression changed and he looked out with an unusually warm gaze as we cheered their performance. He made several gestures speaking in Sicilian sign language? He put his hands together in a heart shape and raised them to his heart, extending it out to us. I think he was saying, the heart is open, here is a channel for the love: I give and receive. He used his right hand to pat himself on the left shoulder again and again gazing out with a bashful, warm smile and glittering expressive eyes as if to say thank you, it’s too much, too much, gratitude to the audience. I never saw anything like it before. In other words, I had the time of my life. On the bus ride out Boston, many of us had come directly from the show and we were gushing with joy. We all saw something different. We agreed that the first song or two, they were tense or nervous, but must have picked up our delight and sailed forward on that collective feeling.

The indirect influence of Il Volo is that my Conversational Italian class starts Wednesday of this week and I started the savings account for a trip to Italy. It’s been an all Italian summer for me with cooking, reading and more. Not to pile on the pressure, but they are ambassadors for Italy.

Bravi! Grazie mille! Viva Il Volo.

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